$\flat\hat2$

Example .mp3 .pdf
Haydn, "Il Terremoto", op. 51 no. 7, mm. 93-end
Beethoven, Piano Sonata op. 2 no. 3, mvt. 3, coda
Schubert, Quintet, end of mvt. 4, mm. 416-end
Brahms, Piano Quintet in f minor, mvt. 3, mm. 173-end
Chopin, Mazurka, op. 41 no. 1, mm. 1-8
Chopin, Mazurka, op. 41 no. 1, mm. 61-68
Chopin, Etude, op. 25 no. 4, mm. 54-end

Straightforward Examples

Example .mp3 .pdf
Schubert, Die Schöne Müllerin, no. 19, mm. 1-19
Saint-Saens, Introduction and Rondo Capriccioso, mm. 15-18
Beethoven, Piano Sonata op. 27, no. 2, mvt. 1, mm. 1-5. .mp3
Beethoven, Bagatelle op. 119 no. 9, mm. 1-8
Liszt, Transcendental Etude no. 2, mm. 92-end (not counting pickup measure)

Unusual Examples

Example .mp3 .pdf
Chopin, Prelude in c minor (root position), mm. 9-13
Paganini, Caprice op. 1 no. 4, mm. 12-16
Chopin, Ballade in g minor (opening), mm. 1-9
Tchaikovsky, Piano Trio, mvt. 1, mm. 14-20

Tonicizing $\rm{\flat II}$

Example .mp3 .pdf
Chopin, Mazurka in b minor, op. 33 no. 4, mm. 205-end
Beethoven, Piano Sonata op. 57, mvt. 1, mm. 1-10 (not including pickup)
Beethoven, Andante Favori, mm. 189-198
Beethoven, String Trio, op. 1 no. 1, mm. 321-364 (sound only)