Table of Contents

1. Scales
2. Parallel voice leading
3. I, V, and $ \rm{V^7} $
4. $ \rm{ I^6, V^6, } $ and $ \rm{vii^{o6}} $
5. Inversions of $ \rm{V^7} $
6. IV, ii, and $ \rm{ii^6} $
7. Cadential $ ^6_4 $
8. vi and $ \rm{IV^6} $
9. $ \rm{ ii^7, IV^7, } $ and their inversions
10. Moving Toward V
11. III and VII
12. Sequences
13. $ ^6_3 $ Chord Techniques
14. $ ^6_4 $ Chord Techniques
15. Neighbor Notes, Neighbor Chords
16. Passing Notes, Passing Chords
17. Suspensions, Anticipations, Pedals
18. Voice Exchanges and the Omnibus Progression
19. Mixture
20. $ \rm{vii^{o7}} $ and $ \rm{vii^{ø7}} $
21. Applied Chords
22. Modulation
23. Chord extensions: ninths and thirteenths
24. Neapolitan Chords ($ \rm{\flat II} $)
25. Augmented Sixth Chords
26. Chromatic Techniques